Archive for the Netflix Reviews Category

Netflix Reviews: Lars and the Real Girl and The Last King of Scotland

Posted in Netflix Reviews on April 23, 2008 by artsymcfartsy

First of all, let me tell you that I recently upgraded my Neflix to two at a time (if I did three I’d never leave the house), and it has continued to enrich my life. These were the first two at a time I received, and I had a really hard time deciding on which to watch first.

So I played eenie meenie miney mo and ended on Lars and the Real Girl.

Ok, so on paper it sounds really bad. Have you heard of Real Dolls (link NSFW)? They’re sex dolls, but more than that. They’re over a thousand dollars and they feel (and look) like real women. There is apparently also a cult of people who have actual relationships with their dolls besides sex. The whole thing is interesting, and disturbing, especially as a smart girl whose biggest fear is that men actually want silent, personality-less women.

But I digress.

Lars is a lonely, lonely person. He lives in his brother and sister-in-law’s garage, is painfully awkward and shy, and hates to be touched. His loneliness is so great that he orders a Real Doll and starts a relationship with it. Lars is delusional, but instead of being ostracized by the small town he lives in, everyone plays along and does their best to make his “girlfriend” comfortable.

I gotta tell you, I returned it to Netflix and immediately bought the thing. It’s lovely. It’s obviously funny, what with dolls falling all over the place and stuff, but it’s also really touching. The more the town rallies around him, the more Lars feels loved, and as his confidence grows, it’s becomes virtually impossible for your heart not to shatter into a million pieces.

Briefly, we should talk about how good Ryan Gosling is.

In a world of Josh Hartnetts, there is a bright light named Ryan Gosling. I’m going to go ahead and chalk up The Notebook to a learning experience… He’s fucking fantastic. I saw him jogging on the street in New York and I wanted to run after him to hug him.

In short, rent it.

The Last King of Scotland also turned out to be pretty kickass. It’s based on the true story of Nicholas Garrigan, a scottish doctor who somehow got mixed up in with Ugandan dictator Idi Amin. It’s great. The whole thing has a very gritty, documentary feel, and it works. James McAvoy (another young actor who gives me faith in movies. Have you seen Atonement yet? Run to the store and prepare to be in love with him.) is the young doctor, and he is immensely likable and relatable. As the charismatic dictator sweeps him up in his playboy lifestyle, you’re swept up right with him, and you feel his anguish when he realizes what kind of man Amin is. Warning for those with weak stomachs: This movie is GRAPHIC. Um, I don’t want to ruin things for you, but let’s just say I screamed in horror more than 5 times in the last 20 minutes.

Anyway.

Awesome as McAvoy is, Forest Whitaker owns this movie. It would have been really easy for this film to suck. The whole concept rests solely on the ability of the actor playing Idi Amin, who managed to murder 300,000 of his own countrymen under their noses without national outrage (for a while, at least). He’s charismatic, paranoid… almost childlike, but with terrifying fits of rage. Forest Whitaker pulled it off and then some. That Oscar he got? Yeah, he deserved it. He disappears into the role. It’s an amazing performance. I want to find him and shake his hand.

Also, it’s got Gillian Anderson in it, which makes me happy because I love Agent Scully. Yeah, I said it.

See it… but be in the right mood for a serious downer.

Ummmm….

I’ve been having such good luck with Netflix lately. I have only been annoyed with a few of the last few that came through my mailbox (hint: Smiley Face isn’t a good movie. Take it at face value and you know that.). Hopefully my luck will continue.

What have YOU GUYS been watching?

Netflix Reviews: No Country for Old Men

Posted in Netflix Reviews on March 13, 2008 by artsymcfartsy

First of all, I am so thrilled and surprised that I was even able to GET this in the mail today, the day after it came out. I basically won at Netflix lottery. Wahoo!

Second of all, I am so pissed that I didn’t get to see this in the theater. No one would go with me. It was awesome at home, but damn… Damn you, friends.

Third of all, this movie is perfect.

I’m dead-ass serious.

It was over two hours… and I wanted at LEAST another hour. Maybe two.

I might watch it again tonight.

Josh Brolin: Perfect. Oozes Texas. Utterly human. Fantastic.

Javier Bardiem: Perfect. Maybe the most terrifying performance I’ve seen, um, ever.

Tommy Lee Jones: Perfect. Poetic subtlety mixed with a southern good old boy.

I loved every second, every shot, every line. Even when I was curled in a little ball and whimpering (it happened more than once), I was gooing my pants with delight.

Here’s what’s up: Josh Brolin stumbles upon the remains of a drug deal gone bad. He steals some guns…and…a suitcase full of money. Whoops, now Javier Bardiem, the scariest man alive is looking for him. So is the sheriff, Tommy Lee Jones. Cat and mouse ensues, leaving a really high body count. It’s simple, but since it’s a Coen brothers movie, ever character is fleshed out to perfection.

See it, if you haven’t. Like, YESTERDAY.

Unless you’re super sensitive to violence. Then maybe you shouldn’t.

You know what, you should anyway. Just fucking see it.

Netflix Reviews: The Ex

Posted in Netflix Reviews on March 12, 2008 by artsymcfartsy

Um… 

I pretty much love everyone in this movie, even Zach Braff, who I think is a indie-hipster-tool but adore because of Garden State and Scrubs. Come on, Amanda Peet, Mia Farrow, Amy Poehler, Charles Grodin, Fred Armisen… freaking JASON BATEMAN, who enriches my life in so many ways…

It should be so awesome.

But alas, this movie sucks balls. It’s basically a giant 84 minute teabagging session.

I did laugh a bunch of times, but it was basically whenever Jason Bateman spoke, and in retrospect it’s probably because he has very specific, identifiable line delivery and I thought (wished?) I was watching Arrested Development.

Here’s what’s happening with this: Amanda Peet and Zach Braff just had a baby, so they move from New York to Ohio so Zach can work at his father-in-law’s new-age advertising firm. Uh oh, Amanda’s old friend from high school is Zach’s boss. He’s in a wheelchair, still wants to bone her, and is a total douchebag. Unfortunately everyone loves him and hates Zach.

Also unfortunately, nothing makes sense. I mean, Jason Bateman does crazy things and no one EVER brings up how crazy they are. He steals a picture and cut the other dude’s head out of it, giving the Zach total proof that he’s crazy… how come he never brings it up and only brings up stupid, unprovable things? Also, Amanda totally has no love for Jason, so WHY does Zach give a shit? She thinks he’s weird and creepy, and you never get the feeling that she has any interest in him… hence, no conflict. Mean-spirited jokes don’t really work if there isn’t a conflict. Zach throwing a handicapped person (even if he is a total dick) down the stairs? Not really funny.

Which is disappointing, because, like I said, everyone in it I like. Balls.

Thank God it was Netflix and not in the theater, I’d be really pissed if I had spent $9.50 on this. I guess it would be a good flick to catch on cable on a Saturday afternoon when you’re really hungover.

Netflix Reviews: Down in the Valley (2006)

Posted in Netflix Reviews on February 20, 2008 by artsymcfartsy

Eh. I have mixed feelings.

Harlan (Edward Norton) is a cowboy from South Dakota who now lives in the San Fernando valley. He then hooks up with a high school girl, who has a really big asshole for a dad. Then (whoopsadaisie!) it turns out Norton has a touch of the crazy. A little Taxi Driver-esque.

Hm.

It’s challenging, I’ll say that. It can be very slow (and I like have a lot more patience for slow films than most), and it feels… lonely. It’s very quiet and uncomfortable, with no discernible heroes or villains. It’s almost too much to throw at you at once while you’re watching. In fact, mulling over this movie is more enjoyable than the actual watching experience.

But even though it’s hard, it’s got a lot going for it. The dialogue is smart and very real, and there are some gorgeous scenes. I think the last 15 minutes or so are pretty much close to perfect. Beautifully shot, full of meaning, splendidly acted.

Evan Rachael Wood is a fantastic young actress, though I’ve seen her in, um, NOTHING else (plus isn’t she Marilyn Manson’s girlfriend? Gross.). It was a pretty ballsy move casting an ACTUAL 17 year old as a 17 year old, especially in a heavy movie like this. She’s every inch the modern-day Lolita, and that girl works it. She holds her own for the most part, and if she gets lost in the shuffle, well, she is playing opposite Ed Norton, who gives one of his finest performances here.

Edward Norton is so damn fantastic. He’s got enough movie star charisma to make him stand out, but I’m never constantly reminded that “this is Edward Norton, I am acting RIGHT NOW.” He disappears like a character actor, and I love that. Watching Harlan’s descent into madness and further delusion was… beyond amazing. Even at his worst, there was nothing but love and empathy for him. That’s a damn good actor. One of the best performances I’ve seen lately.

To be honest, if Norton hadn’t been in it… meh. Who cares. But I love love love him. He’s one of my favorite actors working today, and I’m willing to pay money to see anything he’s in.

So.

See it? I don’t know.

I liked it.

But… Don’t hate me if you don’t.

Netflix Reviews: Once (2007)

Posted in Netflix Reviews on February 10, 2008 by artsymcfartsy

Get ready to lose your shit, y’all.

Once is so great. Goddamn.

A street musician and an immigrant flower vendor meet, make beautiful music together, and part ways. That’s kind of it. It’s charming, with perfectly awkward and realistic dialogue, and as far as musicals go, the indie-folk score fits perfectly. Mama will make this her next iTunes purchase. Like The Weepies, or Joshua Radin, or Regina Spector? You’ll dig on this.

With all this going for it, it wouldn’t make it past charming, except…

We’ve all had one. That person you were (are?) desperately in love with, who is, in turn, desperately in love with you. But it’s the wrong time or place in your life, or you’re both taken, or now it’s too late, or you live a million miles away, or…something. And you both know it. This is what bittersweet means, and I’ve not seen a movie that conveys this feeling better.

What I am saying is that during the closing credits you’ll be thinking about them, whoever they are, and you’ll cry.

Seriously.

You won’t think you will, and then the last 5 minutes happens.

So prepare and enjoy. It’s absolutely adorable.